Elizabeth Bay House is a historic home built between 1835 and 1839 which, at the time,
was described as 'the finest house in the colony'.
A superb example of Australian colonial architecture it was constructed in 19th century Regency
style and was originally surrounded by a 22 Ha. (54 acre) garden but is now in a densely populated
inner city suburb near Kings Cross. It is managed by the Historic Houses Trust of New South Wales
as a museum and open to the public for inspection.
The house was built for the Colonial Secretary, Alexander MacLeay between 1835 and 1839 and
designed by architect John Verge. It has been carefully furnished in the period to reflect the
lifestyle of the respected MacLeay Family. The main street through nearby Kings Cross, which also
runs along the rear of the property, bears the family name.
It is regarded as one of the most sophisticated architectural works of the early 19th
century in New South Wales even though the 1840s depression left it in an incomplete.
It is significant for its association with the history of intellectual life of NSW
in the areas of scientific (natural history, particularly entomology, botany) and aesthetic
endeavour through its association with three generations of Macleay family.
The house has long been significant to the conservation movement in Australia. This is indicated
by proposals to refurbish the house as a museum for the 1938 sesquicentenary of white settlement,
Professor Leslie Wilkinson's ownership share in Elizabeth Bay Estates Limited (1926-1935), the
acquisition of the property by the Cumberland County Council in 1963 for its historic significance
and the 1972-76 restoration by Clive Lucas, one of the first modern, scholarly conservations in
Australia (Historic Houses Trust 1997).
Elizabeth Bay House is on two levels, with two unconnected cellar wings beneath the house and
attic rooms under the roof. It is built of soft Sydney sandstone with a protective coat of
sand paint. The square entrance vestibule leads to an oval, domed saloon around which a
cantilevered stair rises to an arcaded gallery. The Australian Cedar joinery is finely moulded
and finished simply with wax polish and timber floors are Australian Blackbutt.
ALEXANDER MACLEAY
Alexander Mcleay (1767-1848), public servant and entomologist, was born at Wick, a fishing
village in Ross-shire, Scotland. He moved to London in 1786, marrying Elizabeth Barclay there
in 1791. Mcleay, who was employed in the civil service (1795-1825) was well known in British
and European natural history circles, having amassed by 1805 one of the most significant insect
collections in Britain. He was elected a Fellow of the Linnean Society of London in 1794
(Natural History Society commemorating the great Swedish naturalist Carl Linnaeus, whose
"Species Plantarum" (1753) became the internationally accepted starting point for all botanical
nomenclature (binomial naming of plants by genus and species, based on their sexual reproductive
parts) and served as its secretary (1798-1825). He was elected a Fellow of the Royal Society in
1809. Botanist Robert Brown, Mcleay's close friend and suitor of his eldest daughter Fanny, a
competent botanical artist, named the plant genus Macleaya in his honour.
In enforced retirement from 1817 when his department was abolished at the end of the Napoleonic
Wars, Mcleay's finances were stretched to support a large family (10 of 17 children survived to
adulthood), town and country residences, and his obsessive collecting of insects. When assets
had to be sold upon the collapse of his brother's private bank in Wick, in which Alexander was
a partner, he began in 1824 to borrow heavily from his eldest son, William.
Mcleay accepted the position of Colonial Secretary of NSW, arriving in 1826 and moving into the
Colonial Secretary's house (fronting Macquarie Place) with his wife Eliza, their six surviving
daughters, an extensive library, and an insect collection then "unparalleled in England" for its
size, range and number of type specimens (first to be named of a species). Three of the four
surviving sons came later to NSW, of whom two, William and George - shared their father's natural
history interests. (From the early 1820s the spelling Macleay was adopted; descendents of
Alexander's brothers retained MacLeay or McLeay).
Soon after his arrival he was granted 54 acres (22ha) by Governor Darling at Elizabeth Bay,
with commanding views of Sydney Harbour. It was usual practice for grants to be made to eminent
citizens in the colony but Macleay's grant generated some heated editorials in Sydney's
newspapers. It involved the alienation of public land, the former Aboriginal settlement of
Elizabeth Town, later earmarked for an asylum. In 1826 Macleay set about improving the site,
using assigned convict labour. He employed his horticultural expertise, assisted from the late
1820s by gardener Robert Henderson, to establish a private botanic garden with picturesque
features of dwarf stone walls, rustic bridges, and winding gravel walks. (Hughes, 2002)
In May 1831 The Sydney Gazette enthusiastically reported improvements at Woolloomoolloo Hill
(Potts Point) and Macleay's neighbouring estate at Elizabeth Bay "5 years ago the coast
immediately eastward of Sydney was a mass of cold and hopeless sterility, which its stunted
and unsightly bushes seemed only to render the more palpable; it is now traversed by an elegant
carriage road and picturesque walks. That these rapid improvements were originated by the
proprietor of Elizabeth Bay cannot be doubted. He was the first to show how these hillocks of
rock and sand might be rendered tributary to the taste and advantage of civilized man. As to the
estate of Elizabeth Bay, noone can form an adequate judgement of the taste, labour and capital
that have been bestowed upon it. A spacious garden, filled with almost every variety of
vegetable; a trelliced vinery; a flower garden, rich in botanical curiosities, refreshed with
ponds of pure water and overlooked by fanciful grottoes; a maze of gravel walks winding around
the rugged hills in every direction, and affording sometimes an umbrageous solitude, sometimes
a sylvan coup d'oeil, and sometimes a bold view of the spreading bays and distant headlands
- these are living proofs that its honorable proprietor well deserved the boon, and has well
repaid it." (Carlin/HHT, 2000).
As with the design of the house, the design of the estate appears to have involved a number
of people whose respective contributions are not known. Fanny Macleay regarded her father as
the mastermind, referring to Elizabeth Bay as "our Tillbuster the second", a reference to the
Macleay family's country estate in Godstone, Surrey, which Alexander had improved in 1817. In
September 1826 she promised her brother a plan of the recently acquired grant "when Papa has
decided where our house is to be and the garden etc". Although Nurseryman Thomas Shepherd had
practised as a landscape gardener many years previously in England and his 1835 (public)
lecture (in Sydney) included suggestions for the further improvement of the Elizabeth Bay
estate, he does not claim credit for involvement, however informal, in its design. It may
be that Macleay considered his views old-fashioned.
In 1825 Robert Henderson had been recruited at the Cape of Good Hope by Alexander Macleay.
Henderson's obituary records that he superintended the laying out of the gardens of Elizabeth
Bay and Brownlow Hill. In February 1829 Fanny wrote "we have now some beautiful walks thro' the
bush. Mr (Edward) Deas-Thompson who is possessed of an infinity of good taste is the Engineer
and takes an astonishing degree of interest in the improvement of the place."
John Verge's office ledger contains many references to the design of garden structures, including
gates and piers and copings and "scroll ends" for garden walls. The entries are dated between
April and November 1833. A design for a bathing house (not built) dated 1834 and initialled
"R.R.", may be attributed to the architect and surveyor, Robert Russell (1808-1900) who arrived
in Sydney in that year.
Macleay's approach to the Australian bush was in contrast with that of the majority of colonists,
who customarily cleared it and started afresh. Nurseryman Thomas Shepherd wished others to
emulate this:
"The high lands and slopes of this property are composed of rocks, richly ornamented with
beautiful indigenous trees and shrubs. From the first commencement he (Macleay) never suffered
a tree of any kind to be destroyed, until he saw distinctly the necessity for doing so. He
thus retained the advantage of embellishment from his native trees, and harmonised them with
foreign trees now growing. He has also obtained the benefit of a standing plantation which it
might otherwise have taken twenty or thirty years to bring to maturity."
The bush was planted with specimen orchids and ferns to enhance its botanical interest, which
could be enjoyed in the course of a "wood walk". Two surviving notebooks (Plants received,
c1826-1840, and Seeds received, 1836-1857) list the sources of plants for the garden and
illustrate a comprehensive approach to plant collecting, similar in their approach to
entomology. The plant and seed books contain entries for purchases from nurserymen Merrrs
Loddiges of Hackney, London, and exchanges with William Macarthur of Camden Park. They also
record the plants contributed by visitors to the estate and by William Sharp Macleay's natural
history collectors in India.
Alexander Macleay had a great passion for bulbous plants, particularly those from the Cape
of Good Hope. The explorer Charles Sturt, contributed many bulbs collected on his journey to
South Australia in 1838, having been presented with four bulbs of Calostemma album from the
Royal Botanic Gardens at Kew during his visit to Elizabeth Bay in February 1831. Bulbs featured
in the large collection of plants which William Sharp Macleay brought with him to Australia in
1839. 88 varieties of bulbs were forwarded to him in 1839-40 by his scientific correspondent, Dr
Nathaniel Wallich, Superintendent of the botanical garden in Calcutta.
Macleay's garden was also noted for its fruit trees. In 1835, Charles Von Hugel noted "pawpaw,
guava and many plants from India were flourishing". Georgianna Lowe (of Bronte House) described
the shrubbery and adjacent garden, in 1842-3 commenting on the wealth of fruit trees and other
plants assimilated into a Sydney garden:
"Mr Macleay took us through the grounds; they were along the side of the water. In this garden
are the plants of every climate - flowers and trees from Rio, the West Indies, the East Indies,
China and even England. And unless you could see them, you would not believe how beautiful the
roses are here. The orange trees, lemons, citrons, guavas are immense, and the pomegranate is
now in full flower. Mr Macleay also has an immense collection from New Zealand."
Many visitors commented on Macleay's achievement in creating a garden in Sydney conditions.
Georgianna Lowe described "some drawbacks to this lovely garden: it is too dry, and the plants
grow out of a white, sandy soil. I must admit a few English showers would improve it."
(Carlin/HHT, 2000).
Plans for the villa were in hand from 1832 but construction did not commence until 1835.
Elizabeth Bay House was built between 1835 and 1839 by the accomplished architect and builder
John Verge. It is believed that Verge worked from plans acquired from a British source prior
to 1832. Macleay, in addition to his post, was an entomologist of standing in the world of
natural science and had been secretary (1798-1825) of the prestigious Linnean Society in
London. He brought with him his huge insect collection, a library of 4000 works and a wide
knowledge of horticulture and botany.
The internal design of Elizabeth Bay House was loosely modelled on Henry Hollands Carlton
House built c1820 for the Prince Regent in London. Macleay could not afford the intended
encircling colonnade.
The house's architectural significance rests largely with its interior, owing to its state of
incompletion. A planned encircling colonnade was not built. It is possible that Macleay's son
William Sharp, after his examination of his father's finances upon joining the family in Sydney
in 1839, called for a halt to the building of the house.
When the house was finished in 1839 it was occupied by Alexander, his wife Eliza, their
unmarried daughter Kennethina, unmarried son William Sharp, the Macleay's nephews William and
John and two Onslow grandchildren. Their five other daughters had married. At the same time wool
prices dropped and transportation ended in 1840 and the colony was plunged into depression.
Macleay was already in debt. The depression, these debts, the capital he had outlayed on the
house and garden, the expenses of his various country properties and the loss of his large
official salary brought about by early retirement meant that by the early 1840s he was in
financial difficulties.
The garden became known internationally through the letters and published accounts of local
naturalists and visiting scientific expeditions:
" the drive to the house is cut through rocks covered with splendid wild shrubs and flowers of
this country, and here and there an immense primeval tree. In this garden are the plants of
every climate - flowers and trees from Rio, the West Indies, and even England. The bulbs from
the Cape (of Good Hope) are splendid - you would not believe how beautiful the roses are here -
Mr Macleay has also an immense collection from New Zealand."
Botanist Joseph Hooker (Director of the Royal Botanic Gardens, Kew, 1865-85) described the
garden in 1841 as "a botanist's paradise My surprise was unbounded at the natural beauties of
the spot, the inimitable taste with which the grounds were laid out and the number and rarity
of the plants which were collected together." Macleay corresponded with and sent indigenous
plant specimens to Kew, donated exotic plants to the Sydney Botanic Gardens, supplied trees
to nurseryman Thomas Shepherd, exchanged plants with William Macarthur at Camden Park,
encouraged local naturalists, and promoted exploration. As a member of numerous public and
charitable committees, he exerted considerable influence in the establishment of the Australian
Museum, the Australian Subscription Library, and more particularly on policy at the
Botanic Gardens.
Alexander Macleay, who had served diligently as Colonial Secretary, was ousted from office
by Governor Bourke in 1837. The loss of salary contributed to his financial problems: British
debts were unpaid; mortgages that had funded the lavish expenditure on both Elizabeth Bay House
and Brownlow Hill, his country house near Camden, were due: pastoral ventures failed in the
1840s depression. (Hughes, 2002)
An attempt was made to subdivide the land in 1841 but the blocks did not sell. While others
were forced to declare bankruptcy, Macleay was saved by his eldest son William Sharp Macleay,
also Alexander Macleay's largest creditor. In 1845 W.S.Macleay insisted his family move out of
the house and then took it over the payment of the debts himself. Macleay's library and the
drawing room furniture were sold to pay creditors. William Sharp Macleay (1792-1865), public
servant, scholar and naturalist, and eldest son, inherited his father's insect collection, and
stayed at the house until his death in 1865. Alexander and Eliza moved, bitterly, to Brownlow
Hill. He was elected Speaker of the Legislative Council (1843-46). Injured in a carriage accident
in 1846, and still suffering the effects, he died at Tivoli, Rose Bay, the home of one of his
daughters. George Macleay (1809-1891) pastoralist and explorer and third surviving son, inherited
his father's debts.
Two contrasting personalities, William, a Cambridge classical scholar, controversial pre-Darwinian
theorist, author and contributor to leading scientific journals, and recluse: and George, a
pragmatist, and subsequently a peripatetic bon vivant; the brothers, individually and jointly,
contributed to NSW's scientific and horticultural advancement. Both were involved with the Botanic
Gardens, Australian Museum and, beginning with their father, maintained an unbroken connection
with the Linnean Society of London (1794-1891).
William arrived in 1839 in NSW with important collections of insects from South America (on
which he published) and from Cuba where he was posted by the British Government (1825-36), as
well as a large collection of plants. At Elizabeth Bay, two notebooks of plants and seeds
exchanged, imported or desired for its garden, which he compiled with his father, reflect the
extent of their horticultural pursuits and provide vital records of this outstanding colonial
garden. William was a corresponding member of the Royal Botanic Society of London. During his
residency at Elizabeth Bay - with the family from 1839 and alone from 1845 - the house continued
as a favoured location for local and visiting scientists and Sydney's intellectual circle.
William Sharp Macleay died unmarried, leaving the estate to George and the insect collection
to his cousin William John Macleay (Hughes, 2002).
Visiting esteemed English nurseryman John Gould Veitch describes in an 1864 journal entry, Elizabeth
Bay House's garden as one of "few private gardens in Sydney where gardening is carried on with
any spirit. Those of Mr Thomas Mort, of Darling Point, the late Mr William Macleay of Elizabeth
Bay and Sir Daniel Cooper of Rose Bay, formerly contained good collections of native and imported
plants, but now they are no longer kept up." (Morris, 1994)
After William Sharp's death in 1865 George Macleay inherited the estate (he had moved to England
after 1859, when the trustees had been able to settle the estate. A keen zoologist, George had
donated specimens to his brother and to the Australian Museum; he presented the papers of his father
and his brother William Sharp to the Linnean Society of London and through Charles Nicholson, Greek
statuary to the University of Sydney. George progressively subdivided the estate and sold
leaseholds of a substantial portion and leased the house to his cousin William John Macleay
and his wife Susan.
William John (1820-1891) pastoralist, politician, patron of science, and nephew of Alexander,
was born in Wick, came to NSW with his cousin William Sharp Macleay in 1839, and became a squatter
with extensive pastoral runs in the Murrumbidgee whose profits would ultimately fund the scientific
interests engendered by his uncle and cousins. He was a member of the Legislative Assembly (1856-74),
a trustee of the Australian Museum (1861-77), and in 1862 helped found the Entomological Society
of NSW. In 1865 he inherited the insect collections of Alexander and W S Macleay and leased
Elizabeth Bay House, living there with his wife Susan. William John, like the Macleays who had
lived in the house before him, was an ardent collector, sponsoring collecting expeditions including
that of the "Chevert" to New Guinea in 1875, and broadening the collection from insects and marine
invertebrates to encompass all branches of the natural sciences (such as birds and reptiles).
Encouraging the study of botany, he was the first president of the Linnean Society of NSW (1874).
The Linnean Society of NSW presented the Macleay's early plant and seed books to the Mitchell
Library, State Library of NSW. (Hughes, 2002)
By 1875 the Macleay family collections at the house were now so large that William John had a
curator George Masters appointed to look after the collection. In 1889 the collections were
presented to the Macleay Museum at the University of Sydney, where the government built a museum
(1886-88) to which the collections were transferred, together with some original collector's
cabinets, library, Macleay papers, and an endowment for a curator (this remains as
the Macleay Museum).
W J Macleay was knighted in 1889 and died in 1891, leaving substantial bequests to various
institutions including the University of Sydney and the Linnean Society of NSW. His wife stayed
there until her death in 1903. The couple had no children.
After the death of George Macleay in 1891, under the terms of William Sharp Macleay's will,
the house was passed from their nephew Arthur Alexander Walton Onslow who had died, to his
eldest son James Macarthur Onslow of Camden Park. By this time the 22 hectare estate had shrunk
to 7.5 hectares through successive subdivisions.
In 1927 the remainder of the land around the house was sold. In this final division the kitchen
wing at the rear of the house was demolished to allow an access road for allotments
behind the house.
By 1934 the house and eleven lots remained unsold due to the depression. Artists squatted in the
house until 1935 when it was purchased, renovated and refurbished as a reception house. Five
years later the house was again altered to accomodate fifteen flats.
In 1963 the Cumberland County Council purchased Elizabeth Bay House and essential repairs were
carried out. The State Planning Auhority assumed control in 1972 and it was decided to restore
the house as an official residence for the Lord Mayor. A change of government signalled a change
in policy and a decision that the house become a public museum. It was put in the care of a Trust
before coming under ownership of the Historic Houses Trust of NSW in 1981.
Abridged from
Sydney Architecture